The Rockettes, that world-renowned precision dance troupe and Big Apple Circus co-stars, are putting out feelers for their 2025 auditions. This year is more special and exciting than ever, the 100th anniversary of their founding! Choreographer Russell Markert originally created the Rockettes in St. Louis, Missouri, in 1925. They’ve since become an American dance institution, known worldwide for their kickline and synchronized choreography. The team has changed with the times, but at its heart remains a classic blend of beauty and brawn.
The Rockettes first performed under the name of the Missouri Rockets, wowing audiences with their provocative new aesthetic. Since moving to New York City in 1930, they’ve performed on the stage of Radio City Music Hall over 21,000 times. Their annual Christmas Spectacular show has become the hallmark of the Christmas season and has welcomed more than 72 million attendees. Excitement crackles in the air as the next auditions approach. Hundreds of eager young dancers are preparing to audition for a prized position on the famous kickline.
The Rockettes hold auditions every spring, which are infamously cutthroat. And dancers have to fit the height range, from 5-foot-6 to 5-foot-10½. They need to prove their artistry and technique in multiple styles of dance. The competitive audition process really showcases the commitment and talent needed to become a member of this elite team.
A Legacy of Dance
Russell Markert, the founder of the Rockettes, had a specific vision for his troupe – he wanted a group that was the quintessence of speed and precision. Playing off of the word “rocket,” he wanted to form a kick ass team. His dream was to mesmerize crowds by their fire breathers and highly honed precision. This foundation is still current to the Rockettes’ identity today.
For decades, the Rockettes have refused to deviate from their choreography. Yet, at the same time, they’re really open to incorporating contemporary things so their show is fresh and exciting. Her choreography pays homage to its theatrical 1920s roots, using a strong mix of traditional and cutting edge dance styles.
“The choreography has evolved slightly, but it stays true to what we started with,” explained one current member. All of the Rockettes’ performances honor this lengthy custom. They provide patrons with a vibrant and nostalgic experience that celebrates their rich history.
The Audition Process
The audition process for the Rockettes isn’t exactly a walk in the park either. Luckily, every year, several hundred dancers join forces to showcase their extraordinary gifts. Only the best of the best will make it past the first round and onto the team. Aspiring Rockettes are required to demonstrate not just technical expertise, but performance aptitude in high-stakes environments.
Cynthia Hughes Miller shared her experience with the audition process, stating, “My first audition, I didn’t get hired. My second audition — the same thing. It wasn’t until I auditioned for the third time that I got hired.” Her persistence serves as a testament to the grit it takes to get on the line of the Rockettes.
Danelle Morgan found it so beautiful using the experiences with the team to watch how young dancers matured. “But it’s really beautiful to watch somebody come in at 18 and watch the evolution of that person,” she noted. This growth is much deeper than just learning how to dance, it consists of forming those lifelong bonds with fellow teammates.
The intensive training and preparation make every performance an astonishingly perfect presentation. Branam, another member of the team, emphasized the importance of preparation: “We try to avoid mistakes and really rehearse so well that it’s muscle memory.” It is that commitment to excellence that became evident in each performance.
A Culture of Camaraderie
The Rockettes cultivate an intense sisterhood among their ranks, breeding an atmosphere in which support and collaboration flourish. Some of the strongest friendships that develop among dancers come from sharing the journey and putting one’s self through adversity. Jacey Lambros-Carrino remarked on this bond: “You become intimately close with the women because you’re with them every second of your day.”
As many Rockettes transition into different phases of their lives, whether starting families, pursuing Broadway opportunities, or returning to school, they carry their experiences as Rockettes with them. Branam pointed out, “Some people are having children, some people have gotten jobs on Broadway or are on tour. Some people are going back to school.” These transitions underscore the myriad journeys that Rockettes take once they hang up their togs for the last time.
Despite the changing nature of its members, one thing remains clear: being a Rockette is a profound source of pride. “Being a Rockette becomes synonymous with who you are,” Morgan stated. This sentiment, expressed by all members—new and old—struck a chord.
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